Jainworld
Jain World

Sub-Categories of Passions - The Sacred Sravana - Belagola

FOREWORD
 
PREFACE
 

SIGNIFICANCE OF SRAVANA BELAGOLA

 
SHRINES OF SRAVANA BELAGOLA
 
EARLY HISTORY OF SRAVANA – BELAGOLA
 
  ROYAL PATRONAGE OF SRAVANA-BELAGOLA
 
  CHAMUNDA-RAYA AND SRAVANA-BELAGOLA
 
  BAHUBALI COLOSSUS OF SRAVANA-BELAGOLA
 
  GOMMATESVARA IMAGE OF SRAVANA-BELAGLA
 
  GRAND FESTIVAL OF SRAVANA-BELAGOLA
 
  GLORY OF SRAVANA-BELAGOLA
 
  CONTRIBUTIONS OF SRAVANA-BELAGOLA

GOMMATESVARA IMAGE OF SRAVANA-BELAGLA


4.  INSPIRATION TO SIMILAR IMAGES

          The installation of the colossal image of Gommatesvara on the Vindhyagiri hill at Sravana-Belagola on Sunday, the 13th of March, 981 A.D. by Chmunmda-Raya proved to be an event of great historical significance from the point of view of the position of Jainism in Karnataka.  This memorable even created a deep impact on the minds of the people in general and of the Jainas in particular.  The installation of this most lofty and at the same time most beautiful image, which was without a parallel in the history of Karnataka at the that time, not only raised the prestige of the Jainas among the general peple of Karanataka but also provided sufficient inspiration for the Jaina chieftains and rulers of different dynasties in Karnataka to emulate the noble example of Chief Minister and Military General Chamunda-Raya by erecting similar colossal image of Bahubali on the tops of the hills in their regions.  Accordingly, three colossal images of Bahubali were set up at i) Karkala ( Dist. South Kanara), ii) Venura ( Dist. South Kanara) and iii) Gommatagire ( Dist. Mysore) in Karanataka upto the 17th century A.D. and at iv) place called Bahubali (Dist. Kolhapur) in Maharashtra and v) Dharmasthala ( Dist. South Kanara ) in the 20th century A.D.

          1)      Bahubali Colossus at Karkala :  The rulers of Karkala in the 15the century were warm supporters of Jaina religion and the credit of making them the followers of the Jaina doctrine goes to the Jaina �gurus� of Hanasoga.  It was at the instance of Laliotakirti Maladhardeva Bhattaraka of Hanasoge that cheiftain Viora Pandya, the son of Bhairavendra, caused to be constructed and set up the colossal image of Gommata on the top of a hill karkala on Wednesday, the 13the of February, 1432 A.D..  The image is 41 feet 5 inches high, 10 1/3 feet broad, 10 feet thick and weighing about 80 tons.  This huge image was carved from the block which was cut and taken from the southern slope of the hill and transporting it was erected on the hill about 300 feet high at Karkala.  The question naturally  arises as how this huge image was moved to its place.  In the connection Fergusson, the art historian of India, says; � The task of carving a rock standing in its palce had it even been twice the size, the Hindu mind never would have shrunk from; but to more such a mass up the steep smooth side of the hill seems a labour beyond their power, even with all their skill in consecrating masses of men on a  single point.� Yet the fact remains that, at least at karkala, the statue with its immense proportions was moved up a smooth and steep rock nearly 300 feet high.  According to tradition � ( mentioned by E. Thurstone in his book. � Thi Castes and Tribes of Southern India,� vol, II. PP. 422 -23), the statue was raised on to a train of twenty iron carts furnished with steel wheels, on each of which 10,000 propitiatory coconuts were broken, and covered with an infinity of cotton, it was then drawn, by legions of worshippers up an inclined plane to the platform on the hilltop, where it now stands.

          About this image of Bahubali at Karkala, Walhouse, the famous art critic says that �This is one of those colossal statues that are found in this part of the country, statues truly Egyptian in size, and unrivalled throughout India as detached works�Nude, cut from a single mass of granite, darkened by the monsoons of centuries, the vast statue statue stands upright, with arms having straight, but not awkwardly, down  the sides in a posture of somewhat stiff but simple dignity.�

          ii)      Bahubali Colossus at Venura :  Timmaraja, the ruler of Panjalike Rajya, who claims decent from the family of famous Chamunda-Raya who had set up the colossal image at Sravana-Belagola installed at the instance of Charukirty Bhattaraka of Sravana-Belagola the image of Bahubali on the top a hill near the bank of river Phalguni at Venura in District South Kanara.  The colossal image, 35 feet high, was installed on Thursday, the 1st of March, 1604 A.D.

          The three colossal monolithic made Jaina statues at Sravana-Belagola, Karkala and Venura are considered as among the wonders of the world.  ( vide �Imperial Gazetteer of India page 121).  About the outstanding features of these three image, Dr. Vincent Smith, the renowned art historian, says thus, �These are undoubtedly the most remarkable of the Jain statues and the largest free-standing statues in Asia� All three being set on the top of eminences are visible for miles around, and, in spite of their formalism, command respectful attention by their enormous mass and expression of dignified serenity.  The biggest, that at Sravana-Belagola, stands about 56 feet less in height, with a width of 13 feet across the hips, and is cut out of a solid block of gneiss, apparently wrought in situ.  That at Karkala, of the same material, but some 15 feet less in height, is estimated to weight 80 tons.  The smallest of the giants, that at Venur, is 35 feet high.  The three images are almost identical, but the one at Venur has the �special peculiarity of cheeks being dimpled, with a deep grave simile�, which is considered to detract from the impressive effect.  The extreme conventionalist of Jain art is well illustrated by the fact that, whereas all the three colossi are substantially identical, save for the smile at Venur, the dates very widely�.  ( vide A Histroy of Fine Art in India and Ceylon, page 268).

          iii)     Bahubali Colossus at Gommatagiri :  The 18 feet high image of Bahubali has recently been located on the top of a small hill of bout 100 feet in height, at Gommatagiri, a place in the interior quiet region at about 25 km. distance  in the North-West direction from Mysore city on the Mysore-Hunsur Road.  Nothing is so far known either about the date or the name of the person at whose instance the statue at this place was erected.  It is suggested that the image might have been installed in the 14th century A.D.  But it got the public attention only from 1950 A.D. onwards.  The third �Mahamastakabhisheka�, i.e., great head-anointing ceremony, of the image was performed on the 7th of September, 1952 A.D. in the presence of the Raja-Pramukha of Mysore.

          iv)     Bahubali Colossus at Bahubali hill :  After a lapse of nearly four centuries, the practice of erecting colossal images of Bahubali is gaining ground and is becoming popular not only in Karnataka but in the Maharashtra region adjacent to Karnataka.  Accordingly at the sacred place of Bahubali hill, also known as Kumbhojagiri, in the Hatakanangle Taluka of Kolhapur District (Maharashtra State) situated in about 20 kilometers from Kolhapur city, the 28 feet high colossal image of Gommatesvara was consecrated on the 8th of February, 1963.  The peculiarity of this image is that while other colossal images of Bahubali are carved out of granite stone, this image at Bahubali hill has been carved out of white shining marble.  This huge image was carved near the marble quarry in Rajasthan and was transported to the Bahubali hill by rail and road after making specially deigned carriages which were drawn on sandy and soft roads covered with thick metal sheets, In addition, the pedestal of the image is carved out of pink marble and is designed to represent an open lotus.  On the pedestal of this image two artistic pink marble statues in the sitting posture of Chamunda-Raya, the pioneer of erecting colossal Gommata status, and og Gomati-Devi alias Gullakahaji, the legendary devoted old women, have been placed on the left and right side of the image respectively.  Such statues of these two prominent devotees are not found elsewhere.  Again this image has installed at the instance of the great Jaina Acharya Charitra-chakravarti Santi-sagara Maharaj.  Further, this image has been installed not by any single person but by a Jaina educational institution, known as Bahubali Brahmacharyasrma, (- the pioneer institution of Jaina Gurukula system of education ) under the guidance of its founder saint Gurudeva Samanta-bhadra Maharaj. Further more, this image has been installed not on the top of the hill but at a height of 50 feet on the slope of the hill and is surrounded by the replicas, made by concrete and stone, of the prominent sacred places in India. The outstanding feature of this image is that it has been installed at the place which is the center of nearly three lakhs Jaina population- especially rural Jaina population and in the area which has got the highest density of Jaina population in India.  Such concentration of Jaina population is not found at other places where colossal Gommata images have been erected.  Moreover, this image has revived the practice of erecting colossal imags of Bahubali after a long interval of 360 years, since it is the first the statue of this type to be erected after the statue of Bahubali erected in 1604 A.D. at Venura in South Kanara.  This example is being followed by others.

           v)      Bahubali colossus at Dharma-Sthala : Shri D. Virendra Heggade, the Jain �Dharmadhikari� i.e., the traditional administrative head, of the Hindu sacred place Dharmsthala in South Kanara District has caused to be mad monolithic stone statue 52 feet high weighing about 210 tons.  This colossal statue of Bahubali was carved at Karkala by the famous old sculptor Shri Renjal Gopal Shenoy.  This gagantic statue of Gommatesvara at Sravana-Belagola was trasported from Karkala to Dharmasthala and was ceremoniously received on the 23rd of March, 1973 A.D.  at the hill known as Shri Bahubali Vihar in Dharmasthala town. This impressive image of Bahubali has been erected at the place Shri Bahubali Vihar and it planned to organise the �consecration ceremony� of the image in 1982 A.D.

Thus at present there are six similar colossal image of Bahubali in South India as follows :
 

Sr. No.

Date of consecration

Place

Height

Quality of stone

     

Feet

 
1. 13-3-981 Sravana-Belagola 57 Light-grey granite
2. 13-2-1432 Karkala 41�5�  Light-deep granite
3. 1-3-1604  Venura 35 Deep-granite
4. Not known   Gommatagiri  18 Blake granite
5. 8-2-1963   Bahubali Hill 28 White Marble
6. Proposed 1982 Dharmasthala  52 Light-deep-granite

( N. B. : These images are shown on the map attached ) 

          In recent times the practice of erecting colossal Bahubali images is being adopted in North India and accordingly one such image carved in granite at Karkala in South India has been installed at Ferozabad in Uttara Pradesh.  It means that the practice is now becoming popular.